Music comes second. …wait what? The story being told is our north star. Everything starts with grasping what story you are telling on screen. Our goal is to understand it as much as you do so we can tell that story through music.

Think of this like a short “pre-production” exclusively for the score. Everything gets planned and setup here.

• Score Inspiration and References to bring us closer together as storytellers and learn what type of score is best for your story
• Sound Palette Design which allows you to trust your film score will be composed and produced consistently throughout
  

The longest and primary part of our process. This is where the majority of writing and composing takes place. Film composing is a puzzle. Not “like a puzzle”, it is a puzzle. 

Overlapping and iterative with scoring, in this phase we go through revisions to music and adjustments and confirming based on picture edits.

• Spotting Sessions allow use to agree on where music will - and will not - be composed, given us a overview of the film’s score
• Scoring the Film which is the majority of the process and where composers do what they do best … compose music
  
• Feedback and Revisions every step of the way so we achieve the best possible piece of music for every scene

We bring the score to life through expert performing, recording, and preparation. 

Each cue (and version of) is structured and organized to fit exactly as composed into the film, and delivered in a fool-proof method to enable others working in post-production use of the score.

• Music Preparation for Sheet Music is created so professional musicians can read the music live while recording
• Live Recording and Tracking working with audio engineers to run live sessions with a group of professional musicians
• Mixing & Pro Tools Delivery is our final step and deliverable for industry-standard Pro Tools session delivery to post-production sound and film editors